Challenging distinctions between fine and decorative art, this book begins with a critique of the Rodin scholarship, to establish how the selective study of his oeuvre has limited our understanding of French nineteenth-century sculpture. The book's central argument is that we need to include the decorative in the study of sculpture, in order to present a more accurate and comprehensive account of the practice and profession of sculpture in this period. Drawing on new archival sources, sculptors and objects, this is the first.
Sculptors and Design Reform in France, 1848 to 1895: Sculpture and the Decorative Arts book
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Sculptors and Design Reform in France, 1848 to 1895: Sculpture and the Decorative Arts ebook
Friday, September 7, 2018
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